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Apparently, the slur between the A and G is not in the original, but the editor put it in as there are many inconsistencies regarding this articulation grouping in this movement. It IS a good suggestion, or one could also tongue lightly and play the G in diminuendo from the A. The "in diminuendo" concept is more important than whether it should be slurred or tongued. This will then set off the B nicely, let it "pop" a little, like just a touch of light on the edges of some sunset clouds. In fact, the entire movement is doing just that - the motifs are like wispy layers which keep rising, descending, floating. With just 3 notes, we can already create an acoustical layering or texture, making our sound 3-dimensional.
We might think of this kind of phrasing as having more priority in lyrical movements, but this is just as important in fast movements! By doing so, the fast will sound even livelier, without us actually playing faster. Our sound will come across as beautifully flexible and nuanced, in any tempo. ✨Flute playing is constantly lifting, shaping our air, our sound. The artistry is the paradox that we have to "work hard" to sound NOT over-worked. 🎶What other paradoxes do you find in flute playing? Join me in a workshop hosted by Traverso Practice Net, a new online platform dedicated to everything about practicing on historical flutes. This is the platform's first ever event to kick off the new year and I'm super excited!
"The Partita in A minor by Johann Sebastian Bach is a unique and fascinating work in the solo flute repertoire. It also presents many questions and challenges for both historical and classical flutists. In this 30-minute online workshop, Teddie Hwang will break down the barriers to this music and invite everyone to appreciate and enjoy the breathtaking beauty of the "Corrente", which is often overshadowed by the Partita's first movement "Allemande"....continue reading on Traverso Practice Net If you don't know it already, watch my interpretation of the Corrente on Limerick Early Music. |
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TEACHING:I'm specialized in coaching historical and modern flutists. CONTACT ME directly to set up a session, in person or online. ARCHIVES:
March 2024
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