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In my last workshop "24 Tips & Techniques for Playing Couperin's Second Concert Royaux", I talked about where are good passages to do the flattement / finger vibrato. Most players may know that flattements can be done on long(-ish) notes. However, I specifically suggest looking out for places where the melody moves downward to further enhance a kind of tender expression. Here's my latest video about this subject which includes clips from the workshop:
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ABOUT THE BLOG:I got inspired to document my own observations in flute-playing and music-making. Also, I thought it's important to pass on the teachings of the great Wilbert Hazelzet, as well as many other mentors who have influenced my artistic visions one way or the other. Enjoy this potpourri of tips, inspirations, and musings. ✨CONTRIBUTE!✨Yes I love the writing that I do! If you love them as well, how about consider showing your appreciation with a personal contribution? 
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