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I noticed lately that I've been often telling my students to use less tongue for playing. It would start out as a question about improving dull and fuzzy sound, but what made an immediate difference was when I told them to use LESS TONGUE SURFACE. It sounded like the tongue was not only blocking too much air and also creating a kind of explosion which was the noise. Plus when I asked for a more delicate tongue stroke, it created a kind of overall sensitivity which also helped the embouchure to become more focused. Try also tonguing right behind the front teeth where the hard palate starts, which is more of a "flat" tongue and also enhances using the vowel "Ü" or "you"(which also enhances the embouchure). This will also help your "R", which should just be a quick flick of the tongue. A gentle tap, a quick flick, and precision - that's all we need!👌
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ABOUT THE BLOG:I got inspired to document my own observations in flute-playing and music-making. Also, I thought it's important to pass on the teachings of the great Wilbert Hazelzet, as well as many other mentors who have influenced my artistic visions one way or the other. Enjoy this potpourri of tips, inspirations, and musings. ✨CONTRIBUTE!✨Yes I love the writing that I do! If you love them as well, how about consider showing your appreciation with a personal contribution? TOPICS:
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